展覽介紹Exhibition Introduction
蕭壠文化園區Siao-Long Cultural Park
2018 焦點攝影家 - 許淵富2018 Keynote Photographer - Hsu Yuan-fu
展覽介紹Exhibition Introduction
展區:蕭壠文化園區A3館
簡介:
許淵富老師出生於1932年,成長於臺南早期繁華的民權路後巷,蜿蜒的巷弄之間是他兒時的樂園,曾在巷口圍觀「東鄉堂」寫真館的日本師傅,如「變魔術」般相片顯像,小學時期偶爾協助開設相館的兄長,在黑漆漆的房間裡攪動藥水盤裡的相紙,與攝影結下不解之緣。 多才多藝的許老師,年輕時期就是位充滿自覺,鬼靈精怪想法無拘的創意人。這些特質也都表現在他日後攝影創作,不墨守陳規,不斷挑戰自我的多樣性。為了突破台灣攝影空間的狹隘,以投稿日本雜誌來證明自己的創作能量,當了父親以後幫每個女兒精心編排個人寫真像本,作為傳家的重禮。 「臺南國際攝影節‧TiFF」很榮幸能夠邀請到許淵富老師擔任首位「焦點攝影家」,為日後臺南攝影與攝影節,立下承先起後最好的典範。
焦點攝影家-許淵富個展,以兩年常設展方式長期展出。由策展人黃建亮及陳伯義規劃,展場分為"經典作品"、"家庭相簿"及"攝影教學"三個區域。
【經典作品區】
臺南國際攝影節焦點攝影家許淵富的作品非常多樣,經典作品挑選的難度頗高,最後將攝影家歷年的重要作品,依寫實性、造型性與實驗性,三大脈絡加以整理。
寫實攝影一直是臺灣攝影史的基礎脈絡,居住在臺南市區的許淵富,對於當時的臺南的市街景觀留下重要的影像,例如「颱風那一天」是他藏身在民族路的四維地下道旁的電話亭,這個場景在日後臺南鐵路地下化後也將成絕響。攝影家許淵富的正職是小學老師,所以校園場景與學童也入列展出。
攝影家以美術造型的觀點呈現眼前所見,是傳統紀實攝影家少有的視角,例如「牛的造型」就創造出介於造型幾何與物件實體間的曖昧。實驗性的攝影作品,是許淵富對光影、媒材與暗房的實驗操作,呈現許淵富老師在攝影創作的鑽研成果。
【家庭相簿區】
長兄與姊夫合開的愛力亞照相館,是攝影家許淵富對攝影的啟蒙。但也感嘆自己小時候只有5張照片 (其實早年攝影是極其昂貴的),許淵富認為與其留下財富給孩子,不如留給她們成長的影像更具價值。在1955年購入第一臺相機後,1956年大女兒許鴻枚誕生,1958年的許鴻銘、1960年的許鴻琹、1962年的許熙楨,以及1964年的許璧潔接續加入家族。
在2017年策展團隊訪談許淵富的過程中,得知老師為每個女兒準備的嫁妝就是她們成長歷程的家庭相簿。而且前前後後一共製作了數十本之多,我們聯繫到每個女兒,重新掃描了她們的相簿。在一本本精緻手工的相簿中,我們不只看到了,攝影家人的成長紀錄。許老師透過影像編輯的概念,將一格格的印樣巧妙編排,每一頁都可以看到,藝術家對攝影技藝的創意思考,照片與照片的字裡行間,我們更可以嗅到,父親對家人無私的親情。這些未曾曝光過的家庭相簿其實就是臺灣攝影史中難得的精品。
【攝影教學區】
攝影家許淵富從小學老師開始,一輩子都在從事教育工作,但是年輕時期的許淵富常透過攝影俱樂部,或協會的展覽來學習攝影技藝,然而交流過程並不如預期順利,讓許淵富在內心埋下,他日如有機會必將傳承攝影經驗的心願。1968年許淵富獲得臺灣省攝影學會博學會士,並在1970年成為臺灣省攝影學會學術委員,自此就常透過會刊的寫作,或是翻譯日本攝影新知,成為影會時期的攝影教育推廣者。策展團隊在攝影家許淵富收藏的文件中,也發現當時省會會刊主編攝影家鄧南光邀稿的親筆信函。
1972年開始在東方工專美工科教授「攝影設計」,1993年在高苑技術學院建築系教授「建築攝影」,2000年在長榮大學大眾傳播系教授「商業攝影」。他自創「雙影背景拍攝套片」、試研「黑白底片高低溫顯影法」、研創「曝光值組合速算盤」,並研製用於45相機套拍合成背景的「彩色原稿直接合成套片夾」。無論是經驗的傳承,或是工具的研發,都奉獻在攝影教學的推廣上,都是攝影家許淵富的重要價值。
Venue: Siao-Long Cultural Park, A3 Gallery
Introduction:
Born in 1932, Hsu Yuan-fu grew up in the lanes behind the busy Minquan Road of the prosperous Tainan City while the meandering alleys were his playground. He used to see the Japanese photographer in the photo studio of Tougodo Company to develop photos like performing magic. When he was an elementary student, he sometimes helped his brother who owned a photo shop to stir the films soaked in chemical solution in the darkroom. Since then, he started to explore his interest in photography. From a young age, Hsu has been a versatile and conscious artist with infinite and unconstrained creativity. These characteristics also attribute to his non-stereotype and thriving on challenge reflected by his future creations in photography. Pushing the boundary of Taiwan’s photography, Hsu has submitted his works to Japanese magazines to demonstrate his energy in creation. After becoming a father, he started to design personal photo album for each daughter as a precious family heirloom. It is a great honor of “Tainan International Foto Festival TiFF” to invite Hsu Yuan-fu as the first “Keynote photographer”, who, by setting an excellent paradigm, will inherit the legacy and usher in a new era for Tainan’s photography and photography festival.
Keynote Photographer - Hsu Yuan-fu Solo Exhibition is a two-year-long program. Curated by Huang and Chen, the galleary has been organized in three thematic sections: Signature Works, Family Album, and Photographic education.
【Signature Works】
The keynote photographer of “Tainan International Foto Festival TiFF”, Hsu Yuan-fu, is known for diversity of his works. It was a difficult task to select any signature piece with particular genre that can represent him. Therefore, all the important works of Hsu are included in the exhibition and arranged based on their realistic aspect, artistic expression, and experimentality.
Realistic photography has been playing a significant role in the development of photography history in Taiwan. Living in Tainan, Hsu Yuan-fu has captured some critical shots of Tainan’s cityscape. In the photo, “A Typhoon Day”, he took the shot when hiding in the telephone booth next to Siwei Underpass at Min-tzu Road. The sight will disappear after the railway goes underground. Hsu’s full-time job is an elementary school teacher, school scenes and students are subjects in the photos being exhibited too.
Although being a photographer, Hsu tends to present his works through the perspective of fine art. It is a peculiar angle for a conventional documentary photographer. In his photo, “In the Shape of a Cow” shows the ambiguity between a geometrical form and the subject in reality.
Experimentality, which unveils Hsu’s attempt in manipulating light and shadow, various media, and experiments in the dark room, demonstrates the accomplishment of his exploration in photography.
【Family Album】
Hsu Yuan-fu’s interest in photography was first kindled by Alia Photo Studio, which was co-founded by Hsu’s eldest brother and brother-in-law. It was his disappointment in life that he had only 5 photos in his childhood since photographing was quite expensive back then. For Hsu, it is more important to save images of life experiences for kids rather than leaving them with fortune. In 1955, Hsu bought his first camera. In 1956, his eldest daughter Hsu Hong-mei was born and in 1958, 1960, 1962, and 1964, Hsu Hong-ming, Hsu Hong-chin, Hsu Shi-zhen , and Hsu Bi-jie consecutively joined the family.
When visiting Hsu Yuan-fu in 2017 for the interview of this exhibition, we learned that dowries he has prepared for each daughter are dozens of family albums to record life events and memories. From every page of these delicately handmade albums, all the photos are skillfully laid out in order while Hsu’s creativity in photography as an extraordinary craft can be observed. The descriptions of all the photos in the albums also show selfless love of a father to his family. These photos, which have never been unveiled to the public before, are valuable works in the photography history of Taiwan.
【Photographic Education】
The photographer, Hsu Yuan-fu, has been teaching for his whole life since he started his career as an elementary school teacher. When he was young, Hsu joined some photography clubs and associations in order to learn the skills. However, it was not an easy and smooth approach for him. Therefore, since then, it has been Hsu’s aspiration that someday if he has the opportunity, he would definitely devote himself to teaching photography. In 1968, Hsu Yuan-fu was granted the Fellowship of the Photographic Society of Taiwan and designated to be the academic committee member of the Society in 1970. Hsu has endeavored to promote photography through publishing articles in the journals of the Society and translate innovative ideas from Japanese photography resources. From historic documents collected by Yuan-fu Hsu, we have also found an autograph letter written by Deng Nan-guang, who was the chief editor and a photographer in the Photographic Society of Taiwan to invite Hsu to publish his articles in the journals of the Society.
Since 1972, Hsu has started to teach “Photography Design” in Arts and Crafts Department of Tung Fang Institute of Technology. In 1993, he taught architectural photography in the Department of Architecture in Kao Yuan University while in 2000, he taught commercial photography in the Department of Mass Communication in Chang Jung Christian University. He has invented the conforming template of double-image background, studied black and white film developing under high and low temperatures, created exposure value calculator, and made color original templates to generate synthetic background for 4x5 camera. As a photographer, Hsu Yuan-fu has dedicated his life to teaching photography, passing down his professional experiences, and developing tools for photography education.