藝術家Artist
張景泓Juang Jing-hong
藝術家簡介Artist Profile
1981年出生於臺南柳營。2015年臺南藝術大學音像紀錄與影像維護所畢業，長期從事文史田野調查，影像拍攝製作與教學等工作，關懷社會、民俗文化、傳統信仰等議題，曾獲Epson臺灣尊榮賞——攝影創意大賽（2012）與臺南新藝獎（2014）之肯定。 現於長榮大學美術系及南應大美術系擔任兼任講師，以及上璿生活文化事業有限公司負責人。紀錄片包括：《斷翼的天使》（2009）、《牽著你的日子》（2010）、《臺灣傳統木雕藝術》（2013）、《回家吧！與太祖牽戲》（2014）、《王船百態》（2011）、《金唐殿送王》（2014）、《社區柑仔店》（2015）。曾舉辦「瀰漫—張景泓個人攝影展」。2016年參與「臺南中國城Tainan China Town」計畫，拍攝製作相關紀錄短片並於海馬迴光畫廊展出。
born in 1981 in Liuying, Tainan. JHANG Jing-hong holds an MFA from the Graduate Institute of Studies in Documentary & Film Archiving, Tainan National University of the Arts. He has long been engaged in historic and cultural field research. Taking photos, shooting films, and teaching, Jhang focuses on social issues, folk culture, and traditional religions. He has won Epson Color Imaging Contest in Taiwan (2012) and Next Art Tainan (2014). Jhang is currently serving as the adjunct lecturer for Bachelor Degree Program of Culture and Creative Industries in Chang Jung Christian University and the CEO of Shang Rei Living Culture Company. His documentaries include Angel with Broken Wings (2009), The Days I Held Your Hands (2010), Traditional Wood Sculpture in Taiwan (2013), Come Home! Dance with Ancestral Spirits (2014), Diversity of Wang Yeh Boat (2011), Jin Tang Temple’s Wang Yeh Boat Burning Ceremony (2014), and Community Grocery (2015). Jhang has held his solo exhibition Permeate in Taiwan—JHANG Jing-hong's Photography. In 2016, he participated in the project “Tainan China Town,” filming related footages for the exhibition in Fotoaura.
創作論述Work Text
交陪境-千歲爺繞境的出巡空間
透過空拍紀錄2018年西港戊戌香科千歲出巡遶境路線，以交陪廟宇與繞境區域為主要記錄點。拼湊出連續三天繞境過程中，廟宇之間所存在的差異與各種連結。並探討傳統信仰活動的空間性變化，強調人與傳統信仰空間的關係、歷史脈絡的層疊，對於人與神、人與自然、信仰空間在歷史上的變化進行更多的探討。
Kau-Puê Realm- Patrolling Space of Wang Ye Pilgrimage
By using aerial shooting to document the route for Wang Ye pilgrimage in 2018 Xigang’s incense offering ceremony, Jhang specifically highlighted temples in companionship and areas along the route. During the three-day pilgrimage, he observed the differences and connections between different temples. The project aims at exploring variations of extensity in traditional beliefs and laying more emphasis on the relations between humans and the spaces. Through unveiling layers of historical contexts, it is hoped to draw more attention on the change of relationships between humans and Gods, humans and nature, and the transformation of the role spaces have played in traditional beliefs.