藝術家Artist
黃子欽Huang Tzi-chin
藝術家簡介Artist Profile
1970年生台灣台南，國立台灣藝術學院美術工藝系畢。擅長台味普普拼貼、立體記憶裝置、平面裝幀設計。喜愛逛跳蚤市場、二手書店，對庶民、當代、風俗、歷史、流行、古典雅俗融合、變異混血跳tone有強烈興趣。期待在「全球化」跟「本土化」之間，走出一條適合自己並可長久走下去的路線。
Born in 1970 in Tainan, Taiwan, Huang graduated from the Department of Fine Arts and Crafts in National Taiwan College of Arts. He specializes in Taiwanese-style pop art collage, 3D memory devices, and graphic bookbinding design. Interested in flea markets and second-hand bookstores, he is also fascinated with popular and contemporary culture, local customs, history, trend, fusion of pop art and the classic, and the hybrid culture which seems to be conflicting to each other. Huang aspires to find a suitable path between the concepts of “globalization” and “localization” for further exploration in art.
創作論述Work Text
「漂流島」
●概念——由海邊漂流物的隨機形成，帶出物件的漂流（二手訊息），以及浮島的概念。前者是由物件構成的當下視覺效果，後者則是由這些物件組成脈絡，回推成的想像母島，一個因為戰爭、殖民、氣候……甚至是垃圾運輸，堆疊成的浮島。
●材料——樹脂封存的各種物件，及現成物，裝置在木箱內，透明的樹脂在暗色背景下消失，在明亮背景（鹽巴結晶）下顯像，像是看不見的變因或是伏流，影響這些物件的視覺效果，也讓這些內容成為另一種影像書寫。
Drifting Island
Concept－Random waste along the coast shows the concept of drifting objects (second hand information) and a floating island. The former is the instant visual effect built up by the objects while the latter is the context of how these objects connect together in the first place and then an imaginary mother island is formed. It was a floating island piled up by the remains of wars, colonization, weather, or even garbage shipment.
Media－Different objects sealed up by resin and some ready-made things are placed in a wooden box. Transparent resin disappears against the dark background and shows up against the bright background (salt crystal). It seems that some invisible variations or undertows have affected the visual effect of these objects, which also converts the content into another type of image writing.